Stacks Image 142

Animus ~ Art for the World Soul is an artists collective I curate.

Below are all the artists in Animus + links.

Stacks Image 140

Here's a pic of us Animus artists who are based in Eskdalemuir, Southern Scotland.
clockwise: Fergus Hall, me (Shen), Liz McQueen, Catkin van Hoppe and Jesse Ball.

Each Animus exhibition or event will
likely embody a shifting selection of artists.

Though expressions range from the playful
to the profound and scales encompass the
vast to the humble, all in their unique way
are a re-consecration of art for the
purpose of the re-enchantment of the world

Because of this, the artwork is imbued
with this essence, and has the potential
to reconnect you to what is whole (holy), both
in visible outer form and invisible inner truth…
ultimately dissolving the illusory sense of
separation between the two.

In the words of Hafiz,
The small man
Builds cages for everyone
He knows.
While the sage,
Who has to duck his head
When the moon is low,
Keeps dropping keys all night long
For the

May you find a key here
to the gateless gate.

Alexander Tsalikhin

Stacks Image 136

Alexander, a Russian artist now living in New Jersey, uses traditional
sculptural forms harmoniously interposed with modern elements, creating
an unexpected union of materials such as bronze and glass.

He often depicts people absorbed in a deeply
meditative, contemplative state, with the intent of
embodying that essence in the sculptural form.

Working intuitively with no pre-conceived plans, he
embraces the unexpected developments this brings
as the sculpture begins to take on a life of its own.

For him, this creative process is a
part of his quest for self- knowledge.

Alexander's Facebook page is here

Ben Fosker

Stacks Image 14

Ben lives on the site of a Roman fort at the Western end
of Hadrians Wall. It’s a beautiful, wild and windy place between
the Solway Estuary and thousands of acres of peat moss filled with
wildlife; barnacle geese, roe deer, curlews and adders.

Here Ben senses the timeless open quality of just being ~
a quality which also relates to the pots he makes. The evolving
dialogue between clay, slip and himself is at the same time
a poetic reinterpretation of many of the qualities
found in traditional pot making.

Although he has respect for and draws
inspiration from the English slipware tradition,
his slipware is decorated as a spontaneous
expression of playful joy.

Ben Fosker’s facebook page is here

Bill Witherspoon

Stacks Image 18

Though Bill’s recent pieces have been intimately sized ~
mantras carved on obsidian stones, gold-leafed mono-
prints taken from the inside of bark ~ he’s also worked
on such a monumental scale that there are still firm
believers that his 1990 Oregon Lake Bed Sri Yantra,
(above, photographed from 9000 feet),
was the work of extra-terrestrials.

It had not been constructed by him as a hoax to
try to trick people, though, but as a holy offering.

This offering was clearly graciously received
by the earth, as attested to by subsequent
profound changes, both subtle and dramatic.

This and other earthworks “…functioned as a device
or space where we would not only experience Nature more
deeply but also where Nature would speak out, where we
might come to better understand the language of Nature.”

Bill's inspirational manifesto is free to download below

(x) Downloads

Catkin Van Hoppe
(The Old Burrow)

Stacks Image 30

Inspired by the landscape of fairy-tales and reminiscent of a bygone era,
Catkin's watercolours have been described as delicate, detailed and whimsical.

It is her hope that these ethereal images may be a portal through which one is
returned to that silent space upon which the imagination plays and wise truths are told.

Where wonder and awe may yet again be the language of of the heart.

Catkin’s website is here

Emma Gillespie

Stacks Image 165

Emma Gillespie is a singer song writer based in Moniaive
who has travelled the globe and wandered down the lanes
of her own heart to find lyrical and musical inspiration

Her songs are known for their beautiful emotional quality
and their ability to touch people deeply and profoundly.

A blessing and a curse to be so intimately entwined with
song, to need it, to breathe it, Emma’s relationship with
music has been one of the main driving forces in her life.

She has wrestled with it, drowned in it, been carried
away by it and given birth to it over and over again.

“ It is a gift that I carry, with wide thankful
eyes, big open heart and weary legs!”

Emma's Facebook page is here

Fergus Hall

Stacks Image 42

Fergus’s idiosyncratic, naïve style paintings became
indelibly imprinted on the collective unconscious back in
the 1970’s, when he created a tarot deck for ‘Live and
Let Die’
which, many editions later, is still in print.

Album covers for ‘King Crimson’, an award-winning
children’s book and numerous one-man shows in
London’s Portal Gallery followed, after which Fergus
became disillusioned with the commercial art world
and retreated back to his native Scotland.

Following decades of seclusion in the Eskdalemuir
hills, Fergus is painting in a looser way and re-
discovering his soul’s path through his art, deeply
grounded as it is in the spiritual dimension of life.

Fergus’s website is here

Fitch & McAndrew

Stacks Image 48

Douglas Fitch and Hannah McAndrew are renowned
slipware potters who also happen to be husband and wife.

Working in wood-fired earthenware clay, their works are simply
decorated, with appliqué decoration or sgrafitto, using a basic
palette of traditional slips, made from natural raw materials.

Above are a trio of large jugs by Doug, their influence drawn
from the work of the medieval potters of England and the
subsequent tradition of slip decorated country pottery that
was prevalent in this country until the early twentieth century.

Doug's website is here

Below is one of Hannah's pieces; her website is
here. you can also find them both together here

Stacks Image 118

Jennie Ashmore

Stacks Image 54

Jennie’s ‘leafworks’, originally inspired by Amish
patchwork quilts, are made entirely from nature itself.

Leaves and flowers are collected from both wild lands
and gardens around her Scottish home, then melded together
to create a subtle yet vibrant synthesis of colours, patterns
and textures intimately rooted in the land.

Jennie’s website is here

Jesse Ball

Stacks Image 171

Jesse works primarily through the lost wax process, creating
miniature sculptures from precious metals and gemstones.

She's inspired by the feel of a bygone era from Roman
Art, Art Nouveau, Indian Art and the natural world.

Jesse takes these elements and fuses them with her intuitive
way of working to create Talismans with a symbolic meaning.

Jesse's website is here

Julie MacLeod

Stacks Image 60

Julie is a poet. For her, ‘the concept of “The World’s Soul”
is the way energy inhabits the land, becoming apparent
in its creation of an environment and its movement
within it. This movement includes a shaping of
everything within a specific place and time.

As living entities, we must look to the
symbiotic relationship we make with our own
environment in order to understand the place
we occupy within the world’s soul.

In doing so, we have the potential to
find a deepening awareness of the whole.’

Kay Ribbens

Stacks Image 124

Kay makes unique wearable art in the form of hats.
Her closeness to nature in her rural Dumfries & Galloway
studio by the river Bladnoch, especially the continuously
changing colours, deeply influences her work.

Colour is very important in each new
piece, along with texture, flexibility of fibre,
function, wearability and overall design.

Kay's website is here

Liz McQueen

Stacks Image 210

Originally from Anglesey, Liz McQueen is a landscape painter based in Eskdalemuir.

Walking the land in this ancient place, Liz feels a deep connection to the spirit of the valley
and our ancestors who created the abundance of stone circles, hill forts and sheep folds here. 

Her sense of these impressions is evoked with colours, forms and marks in her paintings.

Morag Brown & Lewis Powell Reid

Stacks Image 206

Morag and Lewis play a rich repertoire of music from
a wide variety of folk traditions. On fiddle and cittern
or accordion, they are at home performing traditional
Scottish, English and Irish music, as well as music
from across Europe, the Balkans and Greece.

They take inspiration from traditional archive sources,
from the musicians they meet and the places to which
they travel. When playing together, their shared intuition
and love of spontaneity allows them to freely move
between melody, harmony and improvisation.

You can hear them on Soundcloud.

Martin Wilson

Stacks Image 132

Martin is an award-winning slate artist and crafter
working in the Scottish Borders and Cornwall.
He also works in natural stone, wood and metal.

His pieces are influenced by his life-long fascination
for Pictish and ancient rock art as well as nature,
folklore, magick, science and spirituality.

Martin is the only person in the UK
who carves and sells sacred Tibetan
Buddhist mantra and symbol stones.

Martin’s website is here

Phil Crennell

Stacks Image 88

Phil Crennell is a highly skilled Artisan whose work
reveals the invisible spirit of nature. He’s sought after
in the field of Live Edge Furniture, which he makes to
provide enjoyment, enchantment and soulful well being

All of his rustic, natural forms are made from hardwoods
sourced in Scotland; Oak, Elm, Yew, Sycamore and Ash,
and occasionally Apple, Cherry, Laburnum and Beech.

Phil finds these woods to be a reflection of his ethos
and way of life. By its very nature each piece of wood ~
with its waney edge, rippled grain, knots, burrs and
spalting stunningly and permanently etched
into its surface ~ is unique in its form.

From a Greenwood workshop tucked into
the coniferous skirts of Auchenlosh Woodland
in Dumfries and Galloway, Phil ~ along with all
sorts of invited ethereal inhabitants ~ becomes
happily lost in the creative process within
the tranquillity of his surroundings.

Phil’s facebook page is here.

Sam Samson

Stacks Image 90

In Memoriam

Sam died in April, 2023.
He delighted in playing with the weathered shapes and textures
of old worn wood and revealing the rich secret beauty of grain
and colour hidden within its unassuming exterior.

Sam’s intent was to ‘take a little time, be still, let the
spiritus mundi, Animus, into the crowded mind. Art speaks softly,
clearly, soul to soul whilst we are absent one from another.’

Sarah Keast

Stacks Image 100

Sarah originally studied geology and geography,
and this insight into the forms of the land and sea
she depicts shapes her response to it.

This is far from a detached, scientific one,
however, with many works imbued
with a magical, dream-like presence.

As Sarah says, she aims to make her work speak
of her human condition and concerns, and is happy when,
in doing so, it speaks directly to other people of theirs.

Sarah’s website is here


Stacks Image 104

Curator of Animus, I’m an interdisciplinary artist living
between a stone circle and a waterfall in the Eskdalemuir hills.

My main medium is light, which I use to look though
veils of matter, revealing the luminous spirit within.

I approach my work as an offering
of gratitude to the world soul.

You’re on my website :)

Trevor Leat

Stacks Image 114

Trevor is a renowned sculptor in willow,
which he often weaves into colossal
forms whose moment of glory comes
when they are spectacularly set alight.

He shares a love of the curves and symmetry
both of the natural world and of human form, which
he explores using the sinuous grace of the willow whips.

Trevor’s website is here

If you'd like to reach an artist
who's part of Animus, please see
their listing above for contact details.

If you find this difficult for any reason, just
ask me & I'll see if I can find them for you!

Stacks Image 212
Auto Reply
Thank you for your recent enquiry. Someone will get back to you as soon as possible.

Signature (Supports HTML)
Kind Regards
The Team
Stacks Image 214
Stacks Image 223

© shen chökyi 2013